A Moment Honoured: Table Talk’s Recognition in the Getaway Magazine Gallery Competition

Getaway Magazine, Table Talk, Original Nikon digital and film photography, captured with a variety of high-quality professional cameras. Medium format film images shot with professional cameras, including Pentax 645, Pentax 6x7, Mamiya 645, Fuji GX617 panoramic, Rollei, and Yashica Mat. Large format film images created using professional pinhole cameras, as well as Shen-Hao 4x5, 4x10, 5x7, and 8x10 film cameras, featuring film stocks from Adox, Bergger, Fomapan, Fuji, Ilford, Kodak, Rollei, and Shanghai GP3. All photography and copyrights by CFP Prints & Craig Fouché Photography.

Written by Craig

5 Aug, 2025

A Moment Honoured: Table Talk’s Recognition in the Getaway Magazine Gallery Competition

In August 2016, I entered one of South Africa’s most prestigious photographic showcases: the Getaway Magazine Gallery Competition. An annual celebration of visual storytelling, this platform is known for elevating both emerging voices and seasoned professionals in the realm of travel and wildlife photography. With entries judged by a panel of industry experts and published in Getaway’s widely circulated print editions, the competition has long stood as a benchmark of excellence across the region.

 

By November, I was honoured to be selected as a finalist — featured in the magazine’s gallery issue alongside remarkable works from across the continent. Then, in January 2017, the final results were announced. Among thousands of submissions, my fine art photograph “Table Talk” received a Top 10 finish and a “Highly Commended” placement overall — a recognition that remains deeply meaningful in the evolution of my photographic journey.

Table Talk, Getaway Magazine, Original Nikon digital and film photography, captured with a variety of high-quality professional cameras. Medium format film images shot with professional cameras, including Pentax 645, Pentax 6x7, Mamiya 645, Fuji GX617 panoramic, Rollei, and Yashica Mat. Large format film images created using professional pinhole cameras, as well as Shen-Hao 4x5, 4x10, 5x7, and 8x10 film cameras, featuring film stocks from Adox, Bergger, Fomapan, Fuji, Ilford, Kodak, Rollei, and Shanghai GP3. All photography and copyrights by CFP Prints & Craig Fouché Photography.

A Platform for the Continent’s Finest Imagery

The Getaway Gallery Competition has built a legacy of curating not only exceptional images but also authentic visual narratives that capture the spirit of travel, wilderness, and culture in Southern Africa. With more than R160,000 in prizes awarded in 2016, including travel expeditions into remote Namibia and professional-grade equipment such as drones, the competition attracts a blend of enthusiastic amateurs and top-tier professionals — all seeking a stage worthy of their work.

To be featured among them — and to see “Table Talk” earn such a notable placement — reaffirmed the deep visual and emotional resonance I strive to evoke with every print.

The Work: “Table Talk”

Shot in the Western Cape of South Africa, “Table Talk” is a considered reflection on stillness, geometry, and presence. With a muted palette and minimalistic composition, it speaks to the dialogue between subject and space — a quiet moment in which nature and narrative converge. Though rooted in a very real place, the image invites metaphoric reading, and it’s this layered openness that likely resonated with both judges and readers alike.

Its placement in the Top 10 reflects not just technical execution but a deeper engagement with theme — and the ability of photography to translate silence, structure, and symbolism into lasting impression.

The Value of Recognition

While I do not create work for accolades, I recognise the importance of validation in a competitive and ever-evolving art world. Having “Table Talk” featured in a nationally distributed publication — alongside names I admire and respect from the photographic community — was not simply an honour, but a moment of artistic affirmation.

In a world where digital saturation is high, being chosen for a physical, printed platform matters deeply. Getaway Magazine’s editorial curation is known for its quality and depth, and I am proud to be part of its legacy of visual storytelling.

Looking Forward: Building Capacity and Continuing the Journey

As an artist, the work is never static. Recognition is a milestone, not a destination. I continue to enter competitions not solely to win, but to build capacity — refining the discipline, sharpening the eye, and deepening the practice. Platforms like Getaway offer both an opportunity and a challenge: to meet the standard and then exceed it.

As I return to submit to future editions, I do so with gratitude for this moment and the many collectors and supporters who have connected with “Table Talk” in its printed and limited-edition fine art form.

For Collectors and Connoisseurs

“Table Talk” is available as part of a limited-edition fine art series — printed to museum archival standards and accompanied by a signed Certificate of Authenticity. For collectors who appreciate layered compositions, muted tonalities, and African imagery with symbolic weight, this award-recognised work offers a striking addition to refined interiors or curated collections.

Explore the Limited Edition Print

Packaging a Sense of Place — Inspired by the Sea of Cloud

There are moments when nature quite literally lifts us above the ordinary — suspending time, reframing scale, and inviting stillness in the most unexpected places. As the rotor blades sliced gently through the crisp morning air, I looked down from the helicopter over Cape Town — and saw it: a quiet cathedral of mist, blanketing the city in cloud, pierced only by the distant forms of Table Mountain and the vertical defiance of Blaauwbergstrand’s high-rises. It was from this view that the idea for my new print packaging was born.

This aerial photograph, now available as a limited edition black and white print, captures not just geography but gravitas. Cape Town’s iconic Table Mountain, emerging through a sea of mist, appears not only as a landmark — but as a silent witness, ancient and unwavering. What lies below, both seen and obscured, plays with our sense of perception. There is power in what is revealed, but equal mystery in what is concealed.

As an artist and storyteller, I wanted to translate that same tension into my packaging design — to create a tactile and visual experience that feels layered, elemental, and deeply grounded in place.

From Image to Impact: Why Packaging Matters

Luxury packaging is not simply a matter of aesthetics; it is the first threshold into the story of a piece. For collectors, it is the quiet handshake before the unveiling. My goal was to ensure that the unboxing of each artwork echoes the reverence of the moment captured in this photograph.

Inspired by the visual texture of mist and mountain, the new packaging is rooted in contrasts — matte blacks against misty greys, archival materials that echo permanence, and a sculptural seal that nods to the Audenberg Mountains where I live. Every detail, from the foil-stamped, recycled cotton inlay or paper embossing, to the scripture reference and the Certificate of Authenticity, is intentional.

Like the image itself, the packaging needed to feel sacred. Not showy. Not busy. Just present. Quiet, but commanding.

CFP Print embossed logo

Why This Matters for Collectors

Collectors of fine art understand the significance of context — how a work is presented becomes part of its narrative. The new packaging not only protects each open or limited edition print but also elevates the moment of arrival. It’s no longer just a delivery; it’s a ceremony.

Much like the scene in the photograph, where built environment meets the natural world through a veil of cloud, this packaging bridges the tangible and intangible. It invites stillness. It heightens anticipation. It rewards patience.

In a world moving fast, this is a return to pace. A nod to reverence.

Behind the Shot: Table Mountain from Above

Captured during a chartered helicopter flight over Cape Town, this image was one of several from a morning where the cloud inversion turned the world upside-down — quite literally. Streets disappeared. Rooftops vanished. And the world was reduced to form and shadow, line and light.

I chose to compose the frame with the dense foreground geometry of Blaauwbergstrand, partially swallowed by the mist. Behind it, Table Mountain rises — timeless and immutable, rendered in stark contrast against a lightening sky. The balance of manmade structures and natural wonder, veiled yet visible, is what drew me to the shot.

This image represents more than a place — it captures a condition of light, atmosphere, and presence.

A Packaging Philosophy Rooted in the Image

What began as a photograph has evolved into a full sensory experience — from image capture to framing, from scripture pairing to shipping.

The packaging reflects the same principles that shape my work:

  • Minimalism with Meaning: No excess. Just essence.

  • Place as Story: Each design element echoes a part of Southern Africa.

  • Material Integrity: Archival, sustainable, and aesthetically refined.

  • Sacred Unveiling: The print is unwrapped like a relic — not rushed, but revealed.

And, just as this image lives in that sacred space between seen and unseen, so too does the packaging invite pause. For the collector, it’s a reminder that art is not just what hangs on the wall — it’s the full journey of how it enters your world.

Collect the Print

This photograph is now available as a limited edition black & white fine art print — framed or unframed — printed on museum-grade archival paper with hand-deckled edges. Each piece is signed, numbered, and accompanied by a certificate of authenticity.

Let this image speak to your own love of stillness, scale, and sacred geography. Invite the mountain into your space.


About Me

I’m a passionate photographer based in the Western Cape Winelands, South Africa, working both locally and internationally. I specialise in a wide range of photographic genres, and I work with both digital and traditional film formats — including 35mm, 120, 127, 4×5″, 4×10″, 5×7″, 8×10,  7×17″ and pinhole cameras. My love for photography runs deep, and I’m dedicated to capturing the essence of every subject, whether in the studio or out in the field.

As a registered member of Nikon Professional Services (NPS) and a contributor to Nikon South Africa’s social media platforms and website, I’m proud to be part of a network that values photographic excellence.

My work has been published in several leading South African publications, including:

  • Atlantic Gull Magazine (cover feature)
  • SA4x4
  • HIGH LIFE (British Airways Magazine)
  • Getaway Magazine
  • Wildside Magazine
  • Weg! / go! Magazine

I was honoured to be named a Top Ten finalist in the 2016 Getaway Magazine Gallery Competition, receiving a Highly Commended distinction. My video work has also been featured by the national broadcaster eNCA.


Stay Connected

If this piece resonated with you, I invite you to share your thoughts or pass it along to someone who values thoughtful, timeless imagery. You can follow along via the links below or Join The Collector’s Circle newsletter for occasional insights, new releases, and behind-the-scenes glimpses into my process.

Thank you for taking the time to engage with my work—and for supporting a slower, more intentional way of seeing — and for valuing imagery with soul.

Until next time.


CRAIG FOUCHÉ

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