Face The Sun
Price range: $800.00 through $1 300.00
Face The Sun
"Face The Sun, Namaqualand National Park, South Africa" - In the heart of the Namaqualand National Park, where the land slumbers under sun and silence for most of the year, an extraordinary transformation occurs. From the parched earth and wind-swept plains, fields of wildflowers burst forth with astonishing beauty. Face The Sun captures this fleeting miracle—a celebration of delicate resilience and divine protection, as witnessed in the lilac-blue petals of Heliophila coronopifolia, or Blue Flax, rising gently amidst a sea of white daisies.
Psalms 121:6-8
The sun will not harm you by day, nor the moon at night. The Lord keeps you from all harm and watches over your life. The Lord keeps watch over you as you come and go,both now and forever.
Photographed from the flower’s own point of view using a fisheye lens, this composition faces directly into the African sun. The resulting image is a radiant starburst of light across a vast field of colour, drawing the eye toward the heavens. From ground level, the perspective shifts: the tiny blossom appears monumental, defiant in its softness, standing proudly beneath the immensity of sky and sun.
There is something sacred in this moment. The Blue Flax, though fragile in form, is a symbol of strength—flourishing in the face of heat, wind, and drought. Much like the verse that inspired this image, Face The Sun speaks to the quiet assurance that, despite our vulnerabilities, we are protected. The sun will not harm us by day, nor the moon by night. As this little flower leans into the light, so too can we rest in divine watchfulness.
Captured during the peak of the Namaqualand flower season—when the landscape becomes a kaleidoscope of ephemeral colour—this photograph reveals the intricate dialogue between fragility and survival. This is the landscape of contrasts: arid yet fertile, silent yet full of life, temporary yet timeless.
Face The Sun is part of Craig Fouché’s continuing devotion to South African landscapes, photographed using high-quality Nikon cameras and professional-grade optics. The image invites the viewer to pause, breathe, and consider the unseen hand that holds all things in balance—even the smallest flower in the harshest sun.
This is a signed and embossed Open Edition print.
Face The Sun
Face The Sun
"Face The Sun, Namaqualand National Park, South Africa" - In the heart of the Namaqualand National Park, where the land slumbers under sun and silence for most of the year, an extraordinary transformation occurs. From the parched earth and wind-swept plains, fields of wildflowers burst forth with astonishing beauty. Face The Sun captures this fleeting miracle—a celebration of delicate resilience and divine protection, as witnessed in the lilac-blue petals of Heliophila coronopifolia, or Blue Flax, rising gently amidst a sea of white daisies.
Psalms 121:6-8
The sun will not harm you by day, nor the moon at night. The Lord keeps you from all harm and watches over your life. The Lord keeps watch over you as you come and go,both now and forever.
Photographed from the flower’s own point of view using a fisheye lens, this composition faces directly into the African sun. The resulting image is a radiant starburst of light across a vast field of colour, drawing the eye toward the heavens. From ground level, the perspective shifts: the tiny blossom appears monumental, defiant in its softness, standing proudly beneath the immensity of sky and sun.
There is something sacred in this moment. The Blue Flax, though fragile in form, is a symbol of strength—flourishing in the face of heat, wind, and drought. Much like the verse that inspired this image, Face The Sun speaks to the quiet assurance that, despite our vulnerabilities, we are protected. The sun will not harm us by day, nor the moon by night. As this little flower leans into the light, so too can we rest in divine watchfulness.
Captured during the peak of the Namaqualand flower season—when the landscape becomes a kaleidoscope of ephemeral colour—this photograph reveals the intricate dialogue between fragility and survival. This is the landscape of contrasts: arid yet fertile, silent yet full of life, temporary yet timeless.
Face The Sun is part of Craig Fouché’s continuing devotion to South African landscapes, photographed using high-quality Nikon cameras and professional-grade optics. The image invites the viewer to pause, breathe, and consider the unseen hand that holds all things in balance—even the smallest flower in the harshest sun.
This is a signed and embossed Open Edition print.
Price range: $800.00 through $1 300.00
Print Information
The Cameras
Your Subtitle Goes Here
Every photograph begins with the camera it was created on. Whether captured on traditional photographic film or a modern digital camera, every image is produced with the same commitment to craftsmanship and authenticity.
Film negatives and transparencies are personally developed by hand before being professionally scanned and prepared for printing. Digital photographs are captured in RAW format and carefully processed to preserve the original scene rather than alter it.
Large Format
Shen-Hao 4×5
4×10
5×7
8×10
Korona 7×17
Pinhole Cameras
Medium Format
Baby Rolleiflex
Yashica 44
Yashica Mat 124
Pentax 645N
Mamiya 645 1000S
Pentax 6×7
Fuji GX617 Professional
Various panoramic roll-film systems
35mm
Nikon F5
Nikon F6
Digital
Nikon D800E
Nikon D4
Nikon D5
Fujifilm GFX100
The Collections
Your Subtitle Goes Here
Every collection represents years of exploration, patience and careful craftsmanship. Some photographs are captured digitally, while others originate on traditional photographic film.
Film photographs are developed by hand before being scanned using professional equipment. Digital RAW files receive only careful tonal and colour refinement, preserving the integrity of the original photograph.
Collections are available as either Open Editions or Limited Editions, depending on the artwork.
The Triptych Collection Sizes
Your Subtitle Goes Here
Triptych Size Guide
For Triptych Collection artworks, the selected size applies consistently across all three panels.
In compositions where the side panels are portrait and the centre panel is landscape, the selected size refers to the maximum height of the artwork. For example, when A3 is selected, the two portrait side panels are produced to the A3 long dimension, and the centre landscape panel is scaled proportionally to match that same height.
Where all three panels are landscape or all three are portrait, the selected format remains consistent throughout the set — A0 is A0, A1 is A1, A2 is A2 and A3 is A3. Sizes are not mixed between panels.
Available Triptych Collection sizes: A0, A1, A2 and A3.
The Editions
Your Subtitle Goes Here
Limited Editions
Limited Editions are permanently restricted to 25 prints worldwide, regardless of the size or medium selected.
Once the edition has sold out, no additional prints of that artwork will ever be produced.
Signing & Numbering
Every Limited Edition print is individually signed, embossed and accompanied by a Certificate of Authenticity.
Each print is hand-numbered—for example: 10/25
This indicates the tenth print produced from a total edition of twenty-five.
The Photographic Process
Your Subtitle Goes Here
Many CFP Prints artworks begin with traditional photographic film.
Each negative or transparency is developed by hand using carefully selected chemistry before being professionally scanned for printing. Every stage of the workflow is managed with the objective of faithfully reproducing the original photograph rather than digitally transforming it.
Every photograph represents a real moment, captured through experience, patience and light—not artificial intelligence.
The Printed Medium
Your Subtitle Goes Here
CFP Prints is produced exclusively on museum-quality Hahnemühle FineArt media.
Hahnemühle Cézanne Canvas
A 430 gsm, 100% cotton canvas offering exceptional colour depth, fine detail and long-term archival stability. Its natural matte surface makes it ideal for gallery-quality presentation.
Hahnemühle Photo Rag® Matt Baryta
A 308 gsm, a natural white, 100% cotton paper with a traditional barium sulphate coating. This paper offers rich blacks, luminous highlights, and refined surface texture. It is acid- and lignin-free, with certified age resistance.
Certificate of Authenticity
Your Subtitle Goes Here
Every CFP Prints artwork is accompanied by a Certificate of Authenticity (CoA)—a signed and embossed document that formally certifies the originality, provenance, and technical details of the artwork.
Issued with both Limited Edition and Open Edition works, the certificate confirms that the artwork was produced exclusively by CFP Prints using museum-quality archival materials and professional printing standards.
Collectors, galleries, and institutions are encouraged to retain the Certificate of Authenticity with the artwork at all times. It forms an important part of the artwork’s provenance and assists in verifying authenticity for resale, exhibition, insurance, and archival cataloguing.
Caring for Your Print
Your Subtitle Goes Here
Every CFP Prints artwork is produced using museum-quality archival materials designed to provide exceptional longevity when properly cared for.
To help preserve the beauty of your artwork for generations:
- Avoid prolonged exposure to direct sunlight or strong reflected light.
- Dust gently with a soft, dry microfibre cloth or soft artist’s brush. Never use household cleaners, solvents, or abrasive materials.
- Display or store your artwork in a dry, temperature-controlled environment, away from excessive humidity or heat.
- Canvas prints are protected with a professional matte archival varnish and may be gently cleaned with a soft, slightly damp cloth when necessary.
With appropriate care, your CFP Prints artwork will retain its richness, detail, and archival quality for many years.