As Far As The East Is From The West
Price range: $1 500.00 through $2 000.00
As Far As The East Is From The West
"As Far As The East Is From The West - Nungwi, Zanzibar" - There are places where the meeting of sea and sky seems to dissolve every boundary. Along the northern coast of Zanzibar, the Indian Ocean stretches towards the horizon in an immense expanse of blue, while white sand, tropical light and centuries of history create a landscape of extraordinary beauty. As Far As The East Is From The West captures a moment within that vastness—a photograph shaped by ocean, light and the profound biblical promise of forgiveness.
Nungwi, on the northern tip of Unguja, offers a particularly evocative setting. Here, the rhythm of the Indian Ocean remains inseparable from everyday life. Traditional dhow boats move across the water, fishermen work according to the tides, and the coastline changes character continually as the sea advances and retreats.
The photograph draws its deeper meaning from Psalm 103:11–13:
Psalm 103:11–13
As far as the east is from the west,
So far has He removed our transgressions from us.
Just as a father loves his children,
So the LORD loves those who fear and worship Him.
The title comes directly from the extraordinary imagery of the passage.
As far as the east is from the west.
It is a distance without a measurable endpoint—a poetic expression of separation so complete that what has been removed is no longer held against the one who has been forgiven.
In the context of Zanzibar, surrounded by an apparently endless ocean, that idea takes on a powerful visual dimension.
The horizon stretches away.
The water continues beyond the limits of perception.
East and west become more than directions.
They become symbols of distance, release and freedom.
The photograph therefore becomes more than a tropical coastal scene. It becomes an image about grace.
There is something profoundly appropriate about using the vastness of the Indian Ocean to contemplate forgiveness. Water has always carried symbolic associations of cleansing, renewal and transformation, while the horizon represents a boundary that the eye can see but never reach.
Standing before such a landscape, human concerns can suddenly seem smaller.
The sea continues.
The tide returns.
The horizon remains.
And within that immense natural rhythm, the words of Psalm 103 invite the viewer to consider the possibility of beginning again.
Zanzibar itself is a place shaped by journeys.
For centuries, the islands have occupied an important position along the Indian Ocean trading routes. Merchants and travellers arrived from different parts of Africa, Arabia, Persia, India and Europe, bringing languages, beliefs, foods, architecture and traditions that became woven into the identity of the islands.
That history is especially visible in Stone Town, the historic heart of Unguja.
Its narrow streets, coral-stone buildings, carved wooden doors and layered architectural influences reveal a city shaped by centuries of cultural exchange. Zanzibar's identity cannot easily be reduced to a single tradition. It is the product of encounters between peoples, continents and oceans.
That history adds another dimension to As Far As The East Is From The West.
The title speaks of distance.
Zanzibar speaks of connection.
The island sits between worlds, geographically positioned within the Indian Ocean yet culturally connected to a vast network extending across East Africa and beyond. In a place where tides shift and time seems to pause, we are reminded of grace, forgiveness, and the boundless love of God.
This is a digital print. No AI—only light, camera, planning and time.
"As Far As The East Is From The West " is a limited edition print that is a signed and embossed Limited Edition print series, in an exclusive collection. This print is part of a rare series crafted for collectors who understand the art of waiting for light, for colour, and have an appreciation of East African art.
This is a signed and embossed Limited Edition print, strictly limited to just 25 pieces, ensuring its exclusivity.
As Far As The East Is From The West
As Far As The East Is From The West
"As Far As The East Is From The West - Nungwi, Zanzibar" - There are places where the meeting of sea and sky seems to dissolve every boundary. Along the northern coast of Zanzibar, the Indian Ocean stretches towards the horizon in an immense expanse of blue, while white sand, tropical light and centuries of history create a landscape of extraordinary beauty. As Far As The East Is From The West captures a moment within that vastness—a photograph shaped by ocean, light and the profound biblical promise of forgiveness.
Nungwi, on the northern tip of Unguja, offers a particularly evocative setting. Here, the rhythm of the Indian Ocean remains inseparable from everyday life. Traditional dhow boats move across the water, fishermen work according to the tides, and the coastline changes character continually as the sea advances and retreats.
The photograph draws its deeper meaning from Psalm 103:11–13:
Psalm 103:11–13
As far as the east is from the west,
So far has He removed our transgressions from us.
Just as a father loves his children,
So the LORD loves those who fear and worship Him.
The title comes directly from the extraordinary imagery of the passage.
As far as the east is from the west.
It is a distance without a measurable endpoint—a poetic expression of separation so complete that what has been removed is no longer held against the one who has been forgiven.
In the context of Zanzibar, surrounded by an apparently endless ocean, that idea takes on a powerful visual dimension.
The horizon stretches away.
The water continues beyond the limits of perception.
East and west become more than directions.
They become symbols of distance, release and freedom.
The photograph therefore becomes more than a tropical coastal scene. It becomes an image about grace.
There is something profoundly appropriate about using the vastness of the Indian Ocean to contemplate forgiveness. Water has always carried symbolic associations of cleansing, renewal and transformation, while the horizon represents a boundary that the eye can see but never reach.
Standing before such a landscape, human concerns can suddenly seem smaller.
The sea continues.
The tide returns.
The horizon remains.
And within that immense natural rhythm, the words of Psalm 103 invite the viewer to consider the possibility of beginning again.
Zanzibar itself is a place shaped by journeys.
For centuries, the islands have occupied an important position along the Indian Ocean trading routes. Merchants and travellers arrived from different parts of Africa, Arabia, Persia, India and Europe, bringing languages, beliefs, foods, architecture and traditions that became woven into the identity of the islands.
That history is especially visible in Stone Town, the historic heart of Unguja.
Its narrow streets, coral-stone buildings, carved wooden doors and layered architectural influences reveal a city shaped by centuries of cultural exchange. Zanzibar's identity cannot easily be reduced to a single tradition. It is the product of encounters between peoples, continents and oceans.
That history adds another dimension to As Far As The East Is From The West.
The title speaks of distance.
Zanzibar speaks of connection.
The island sits between worlds, geographically positioned within the Indian Ocean yet culturally connected to a vast network extending across East Africa and beyond. In a place where tides shift and time seems to pause, we are reminded of grace, forgiveness, and the boundless love of God.
This is a digital print. No AI—only light, camera, planning and time.
"As Far As The East Is From The West " is a limited edition print that is a signed and embossed Limited Edition print series, in an exclusive collection. This print is part of a rare series crafted for collectors who understand the art of waiting for light, for colour, and have an appreciation of East African art.
This is a signed and embossed Limited Edition print, strictly limited to just 25 pieces, ensuring its exclusivity.
Price range: $1 500.00 through $2 000.00
Print Information
The Cameras
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Every photograph begins with the camera it was created on. Whether captured on traditional photographic film or a modern digital camera, every image is produced with the same commitment to craftsmanship and authenticity.
Film negatives and transparencies are personally developed by hand before being professionally scanned and prepared for printing. Digital photographs are captured in RAW format and carefully processed to preserve the original scene rather than alter it.
Large Format
Shen-Hao 4×5
4×10
5×7
8×10
Korona 7×17
Pinhole Cameras
Medium Format
Baby Rolleiflex
Yashica 44
Yashica Mat 124
Pentax 645N
Mamiya 645 1000S
Pentax 6×7
Fuji GX617 Professional
Various panoramic roll-film systems
35mm
Nikon F5
Nikon F6
Digital
Nikon D800E
Nikon D4
Nikon D5
Fujifilm GFX100
The Collections
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Every collection represents years of exploration, patience and careful craftsmanship. Some photographs are captured digitally, while others originate on traditional photographic film.
Film photographs are developed by hand before being scanned using professional equipment. Digital RAW files receive only careful tonal and colour refinement, preserving the integrity of the original photograph.
Collections are available as either Open Editions or Limited Editions, depending on the artwork.
The Triptych Collection Sizes
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Triptych Size Guide
For Triptych Collection artworks, the selected size applies consistently across all three panels.
In compositions where the side panels are portrait and the centre panel is landscape, the selected size refers to the maximum height of the artwork. For example, when A3 is selected, the two portrait side panels are produced to the A3 long dimension, and the centre landscape panel is scaled proportionally to match that same height.
Where all three panels are landscape or all three are portrait, the selected format remains consistent throughout the set — A0 is A0, A1 is A1, A2 is A2 and A3 is A3. Sizes are not mixed between panels.
Available Triptych Collection sizes: A0, A1, A2 and A3.
The Editions
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Limited Editions
Limited Editions are permanently restricted to 25 prints worldwide, regardless of the size or medium selected.
Once the edition has sold out, no additional prints of that artwork will ever be produced.
Signing & Numbering
Every Limited Edition print is individually signed, embossed and accompanied by a Certificate of Authenticity.
Each print is hand-numbered—for example: 10/25
This indicates the tenth print produced from a total edition of twenty-five.
The Photographic Process
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Many CFP Prints artworks begin with traditional photographic film.
Each negative or transparency is developed by hand using carefully selected chemistry before being professionally scanned for printing. Every stage of the workflow is managed with the objective of faithfully reproducing the original photograph rather than digitally transforming it.
Every photograph represents a real moment, captured through experience, patience and light—not artificial intelligence.
The Printed Medium
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CFP Prints is produced exclusively on museum-quality Hahnemühle FineArt media.
Hahnemühle Cézanne Canvas
A 430 gsm, 100% cotton canvas offering exceptional colour depth, fine detail and long-term archival stability. Its natural matte surface makes it ideal for gallery-quality presentation.
Hahnemühle Photo Rag® Matt Baryta
A 308 gsm, a natural white, 100% cotton paper with a traditional barium sulphate coating. This paper offers rich blacks, luminous highlights, and refined surface texture. It is acid- and lignin-free, with certified age resistance.
Certificate of Authenticity
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Every CFP Prints artwork is accompanied by a Certificate of Authenticity (CoA)—a signed and embossed document that formally certifies the originality, provenance, and technical details of the artwork.
Issued with both Limited Edition and Open Edition works, the certificate confirms that the artwork was produced exclusively by CFP Prints using museum-quality archival materials and professional printing standards.
Collectors, galleries, and institutions are encouraged to retain the Certificate of Authenticity with the artwork at all times. It forms an important part of the artwork’s provenance and assists in verifying authenticity for resale, exhibition, insurance, and archival cataloguing.
Caring for Your Print
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Every CFP Prints artwork is produced using museum-quality archival materials designed to provide exceptional longevity when properly cared for.
To help preserve the beauty of your artwork for generations:
- Avoid prolonged exposure to direct sunlight or strong reflected light.
- Dust gently with a soft, dry microfibre cloth or soft artist’s brush. Never use household cleaners, solvents, or abrasive materials.
- Display or store your artwork in a dry, temperature-controlled environment, away from excessive humidity or heat.
- Canvas prints are protected with a professional matte archival varnish and may be gently cleaned with a soft, slightly damp cloth when necessary.
With appropriate care, your CFP Prints artwork will retain its richness, detail, and archival quality for many years.