The Quiet Storm
The Quiet Storm
"Quiet Storm – Hex River Valley, South Africa" - In the hushed embrace of the Hex River Valley, beneath the towering silhouettes of Matroosberg and the Kwadouw Range, a quiet storm descends—not in fury, but in grace. A veil of soft rain drifts gently across the autumnal patchwork of vineyards below, each row in the valley burning with colour—deep burgundy, saffron, rusted ochres and greens—while the last golden light filters through the icy mist, bathing the scene in a fleeting, sacred glow.
Quiet Storm is a portrait of nature at her most introspective. The wind is hushed, the sky low and contemplative. It’s not drama that defines this moment, but stillness. This is the kind of storm that washes the soul rather than the land, and I stood with my 4×5 inch large format camera, waiting for that breathless balance between light and shadow, between colour and calm. It is the companion piece to Midas Gold, shot a breath to the left.
Photographed on Kodak Professional Ektar 100 film using a 6×12cm roll film back, the image bears all the hallmarks of this medium: ultra-vivid colours, extraordinary sharpness, and the fine-grain subtlety that only analogue can achieve. The character of the film allows the viewer to feel the crispness in the air, to almost hear the gentle hiss of rain on leaf and vine.
The Hex River Valley—gateway between the rugged Boland and the open heart of the Great Karoo—is a place I return to each year as May’s breath begins to cool the earth. Its palette in autumn is intoxicating, its shifting moods an ever-changing canvas. It is a land shaped by extremes: searing summers, snow-draped winters, and in moments like these, a rain that speaks of quiet blessing.
Matthew 6:45
He makes His sun rise on the evil and on the good, and sends rain on the just and on the unjust.
The verse from Matthew 6:45 resonates here: “He makes His sun rise on the evil and on the good, and sends rain on the just and on the unjust.”
In this moment, all stand equal under the storm, wrapped in the same fragile grace.
This piece is not just a landscape; it is a meditation on the gentle, necessary melancholy of the seasons. A reminder that beauty often arrives without spectacle. That the storm, when quiet, speaks most clearly.
This is a signed and embossed Open Edition print.
Price range: $1 050.00 through $1 350.00
The Quiet Storm
The Quiet Storm
"Quiet Storm – Hex River Valley, South Africa" - In the hushed embrace of the Hex River Valley, beneath the towering silhouettes of Matroosberg and the Kwadouw Range, a quiet storm descends—not in fury, but in grace. A veil of soft rain drifts gently across the autumnal patchwork of vineyards below, each row in the valley burning with colour—deep burgundy, saffron, rusted ochres and greens—while the last golden light filters through the icy mist, bathing the scene in a fleeting, sacred glow.
Quiet Storm is a portrait of nature at her most introspective. The wind is hushed, the sky low and contemplative. It’s not drama that defines this moment, but stillness. This is the kind of storm that washes the soul rather than the land, and I stood with my 4×5 inch large format camera, waiting for that breathless balance between light and shadow, between colour and calm. It is the companion piece to Midas Gold, shot a breath to the left.
Photographed on Kodak Professional Ektar 100 film using a 6×12cm roll film back, the image bears all the hallmarks of this medium: ultra-vivid colours, extraordinary sharpness, and the fine-grain subtlety that only analogue can achieve. The character of the film allows the viewer to feel the crispness in the air, to almost hear the gentle hiss of rain on leaf and vine.
The Hex River Valley—gateway between the rugged Boland and the open heart of the Great Karoo—is a place I return to each year as May’s breath begins to cool the earth. Its palette in autumn is intoxicating, its shifting moods an ever-changing canvas. It is a land shaped by extremes: searing summers, snow-draped winters, and in moments like these, a rain that speaks of quiet blessing.
Matthew 6:45
He makes His sun rise on the evil and on the good, and sends rain on the just and on the unjust.
The verse from Matthew 6:45 resonates here: “He makes His sun rise on the evil and on the good, and sends rain on the just and on the unjust.”
In this moment, all stand equal under the storm, wrapped in the same fragile grace.
This piece is not just a landscape; it is a meditation on the gentle, necessary melancholy of the seasons. A reminder that beauty often arrives without spectacle. That the storm, when quiet, speaks most clearly.
This is a signed and embossed Open Edition print.
Price range: $1 050.00 through $1 350.00
Print Information
The Cameras
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Every photograph begins with the camera it was created on. Whether captured on traditional photographic film or a modern digital camera, every image is produced with the same commitment to craftsmanship and authenticity.
Film negatives and transparencies are personally developed by hand before being professionally scanned and prepared for printing. Digital photographs are captured in RAW format and carefully processed to preserve the original scene rather than alter it.
Large Format
Shen-Hao 4×5
4×10
5×7
8×10
Korona 7×17
Pinhole Cameras
Medium Format
Baby Rolleiflex
Yashica 44
Yashica Mat 124
Pentax 645N
Mamiya 645 1000S
Pentax 6×7
Fuji GX617 Professional
Various panoramic roll-film systems
35mm
Nikon F5
Nikon F6
Digital
Nikon D800E
Nikon D4
Nikon D5
Fujifilm GFX100
The Collections
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Every collection represents years of exploration, patience and careful craftsmanship. Some photographs are captured digitally, while others originate on traditional photographic film.
Film photographs are developed by hand before being scanned using professional equipment. Digital RAW files receive only careful tonal and colour refinement, preserving the integrity of the original photograph.
Collections are available as either Open Editions or Limited Editions, depending on the artwork.
The Triptych Collection Sizes
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Triptych Size Guide
For Triptych Collection artworks, the selected size applies consistently across all three panels.
In compositions where the side panels are portrait and the centre panel is landscape, the selected size refers to the maximum height of the artwork. For example, when A3 is selected, the two portrait side panels are produced to the A3 long dimension, and the centre landscape panel is scaled proportionally to match that same height.
Where all three panels are landscape or all three are portrait, the selected format remains consistent throughout the set — A0 is A0, A1 is A1, A2 is A2 and A3 is A3. Sizes are not mixed between panels.
Available Triptych Collection sizes: A0, A1, A2 and A3.
The Editions
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Limited Editions
Limited Editions are permanently restricted to 25 prints worldwide, regardless of the size or medium selected.
Once the edition has sold out, no additional prints of that artwork will ever be produced.
Signing & Numbering
Every Limited Edition print is individually signed, embossed and accompanied by a Certificate of Authenticity.
Each print is hand-numbered—for example: 10/25
This indicates the tenth print produced from a total edition of twenty-five.
The Photographic Process
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Many CFP Prints artworks begin with traditional photographic film.
Each negative or transparency is developed by hand using carefully selected chemistry before being professionally scanned for printing. Every stage of the workflow is managed with the objective of faithfully reproducing the original photograph rather than digitally transforming it.
Every photograph represents a real moment, captured through experience, patience and light—not artificial intelligence.
The Printed Medium
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CFP Prints is produced exclusively on museum-quality Hahnemühle FineArt media.
Hahnemühle Cézanne Canvas
A 430 gsm, 100% cotton canvas offering exceptional colour depth, fine detail and long-term archival stability. Its natural matte surface makes it ideal for gallery-quality presentation.
Hahnemühle Photo Rag® Matt Baryta
A 308 gsm, a natural white, 100% cotton paper with a traditional barium sulphate coating. This paper offers rich blacks, luminous highlights, and refined surface texture. It is acid- and lignin-free, with certified age resistance.
Certificate of Authenticity
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Every CFP Prints artwork is accompanied by a Certificate of Authenticity (CoA)—a signed and embossed document that formally certifies the originality, provenance, and technical details of the artwork.
Issued with both Limited Edition and Open Edition works, the certificate confirms that the artwork was produced exclusively by CFP Prints using museum-quality archival materials and professional printing standards.
Collectors, galleries, and institutions are encouraged to retain the Certificate of Authenticity with the artwork at all times. It forms an important part of the artwork’s provenance and assists in verifying authenticity for resale, exhibition, insurance, and archival cataloguing.
Caring for Your Print
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Every CFP Prints artwork is produced using museum-quality archival materials designed to provide exceptional longevity when properly cared for.
To help preserve the beauty of your artwork for generations:
- Avoid prolonged exposure to direct sunlight or strong reflected light.
- Dust gently with a soft, dry microfibre cloth or soft artist’s brush. Never use household cleaners, solvents, or abrasive materials.
- Display or store your artwork in a dry, temperature-controlled environment, away from excessive humidity or heat.
- Canvas prints are protected with a professional matte archival varnish and may be gently cleaned with a soft, slightly damp cloth when necessary.
With appropriate care, your CFP Prints artwork will retain its richness, detail, and archival quality for many years.