Serpentine Dunes
"Serpentine Dunes – Sossusvlei, Namibia" - Amid the ancient stillness of the Namib Desert, where time is sculpted into form by wind and sun, two colossal dunes curve across each other’s path in a sweeping, serpentine gesture—one of shadow, the other of light. Captured in the golden breath of late afternoon, Serpentine Dunes is a visual hymn to nature’s architecture, a scene both powerful and ephemeral, like the desert itself.
Shot on a 4×5 inch large format camera using Kodak Professional Ektar 100 film using a 6x12cm roll film back, this image draws upon the meticulous artistry of analogue process. The film’s ultra-fine grain and signature saturation bring a surreal vividness to the undulating red sands as they meet the cool silence of a pale desert sky. It is a dance of opposites—light and dark, curve and line, movement and stillness—rendered with a fidelity and tonal richness that digital media simply cannot replicate.
The Namib, one of the oldest deserts on earth, holds within its silence the memory of millennia. These dunes near Sossusvlei, some among the tallest in the world, rise like waves frozen mid-crest. Here, in a fleeting composition dictated by shifting sun and shadow, the land reveals a sacred geometry—calculated by no human hand, and yet undeniably intentional.
Deuteronomy 2:7
“For the Lord your God has blessed you in all the work of your hand. He knows your trudging through this great wilderness. These forty years the Lord your God has been with you; you have lacked nothing.”
The verse from Deuteronomy 2:7: frames the work’s spiritual resonance:“He knows your trudging through this great wilderness… you have lacked nothing.”
It is a quiet affirmation—of provision in desolation, of presence even in vast solitude.
Serpentine Dunes invites the viewer into a moment of elemental clarity, where form and colour conspire to create meaning beyond representation. It speaks to the patient collector—those who value the slowness of process, the purity of vision, and the truth of place. In this print lies the voice of the desert: whispering, sculpting, remembering.
This is not simply a landscape—it is a desert in motion, caught mid-breath.
This is a signed and embossed Open Edition print.
Price range: $1 050.00 through $1 350.00
Serpentine Dunes
Serpentine Dunes
"Serpentine Dunes – Sossusvlei, Namibia" - Amid the ancient stillness of the Namib Desert, where time is sculpted into form by wind and sun, two colossal dunes curve across each other’s path in a sweeping, serpentine gesture—one of shadow, the other of light. Captured in the golden breath of late afternoon, Serpentine Dunes is a visual hymn to nature’s architecture, a scene both powerful and ephemeral, like the desert itself.
Shot on a 4×5 inch large format camera using Kodak Professional Ektar 100 film using a 6x12cm roll film back, this image draws upon the meticulous artistry of analogue process. The film’s ultra-fine grain and signature saturation bring a surreal vividness to the undulating red sands as they meet the cool silence of a pale desert sky. It is a dance of opposites—light and dark, curve and line, movement and stillness—rendered with a fidelity and tonal richness that digital media simply cannot replicate.
The Namib, one of the oldest deserts on earth, holds within its silence the memory of millennia. These dunes near Sossusvlei, some among the tallest in the world, rise like waves frozen mid-crest. Here, in a fleeting composition dictated by shifting sun and shadow, the land reveals a sacred geometry—calculated by no human hand, and yet undeniably intentional.
Deuteronomy 2:7
“For the Lord your God has blessed you in all the work of your hand. He knows your trudging through this great wilderness. These forty years the Lord your God has been with you; you have lacked nothing.”
The verse from Deuteronomy 2:7: frames the work’s spiritual resonance:“He knows your trudging through this great wilderness… you have lacked nothing.”
It is a quiet affirmation—of provision in desolation, of presence even in vast solitude.
Serpentine Dunes invites the viewer into a moment of elemental clarity, where form and colour conspire to create meaning beyond representation. It speaks to the patient collector—those who value the slowness of process, the purity of vision, and the truth of place. In this print lies the voice of the desert: whispering, sculpting, remembering.
This is not simply a landscape—it is a desert in motion, caught mid-breath.
This is a signed and embossed Open Edition print.
Price range: $1 050.00 through $1 350.00
Print Information
The Cameras
The camera type used in the shot
A diverse array of cameras—both analogue and digital—have been employed across these collections, each chosen for its unique qualities and the specific demands of the work. From the deliberate precision of large format film to the immediacy of high-resolution digital capture, the tools used are integral to the aesthetic and technical depth of each image.
Large Format Film
Shen-Hao field cameras in 4×5, 4×10, 5×7, and 8×10 formats, as well as custom-built pinhole configurations. These offer exceptional detail and tonal range, suited to large-scale prints.
Medium Format Film
A selection of classic and professional medium format systems, including the Yashica 44, Baby Rolleiflex, Pentax 645n, Mamiya 645 1000S, Yashica Mat 6×6 TLR, and the Pentax 6×7 MLU. Work in panoramic and specialised formats is achieved using 6×7, 6×8, 6×9, and 6×12 roll film backs, alongside the Fuji GX617 Professional.
Small Format Film
Iconic 35mm cameras including the Nikon F5 and F6, valued for their reliability and exceptional lens systems.
Digital
High-resolution digital capture is achieved using the Nikon D800e, D4, D5, Z9, and the medium format Fuji GFX 100—chosen for their dynamic range, colour fidelity, and image depth.
The Certificate of Authenticity
The signed document affirming provenance
Each artwork from CFP Prints is accompanied by a Certificate of Authenticity (CoA)—a formal, signed document affirming the provenance and originality of the piece. This certificate includes technical specifications of the work and verifies that it was produced exclusively by CFP Prints to the highest standards of quality.
The CoA is a physical, signed and embossed document, issued with every print—whether limited or open edition—and should remain with the artwork at all times. It serves as a vital record of authenticity for private collectors, galleries, and institutions alike, and is essential in the event of resale or exhibition.
The Collections
About our collections
Spanning over a decade of dedicated photographic exploration, these fine art prints offer a visually rich and emotionally resonant experience—crafted for discerning collectors with a deep appreciation for African imagery.
Each piece originates from either digital capture or traditional photographic film. When working with film, I hand-develop it using either the C41 for colour or ID-11 for black & white process to produce negatives, or the E6 process for colour-positive slides. These originals are then meticulously drum or flatbed scanned and edited with reference to the raw image—preserving authenticity without digital manipulation. Final adjustments are made in Photoshop to refine tonal range, enhance contrast, and remove minor imperfections, all while remaining true to the integrity of the original shot.
The body of work is organized into two primary formats: Film and Digital, and further curated by location or thematic focus, offering a cohesive yet diverse view into contemporary African visual culture.
The Editions
The edition process and signing
Limited Editions
To preserve both artistic integrity and collector value, all CFP Prints limited editions are strictly capped at twenty-five prints worldwide—regardless of size or format. This deliberate limitation ensures each work remains rare, covetable, and a sound investment for serious collectors.
Signing
Each print is individually signed, embossed, and hand-numbered to guarantee authenticity. For example, a notation of 10/25 designates the 10th print in an edition of 25, with 15 still available. A mark of 25/25 signifies the final print in the edition—no further reproductions will ever be produced. All markings are discreetly applied to maintain the visual harmony of the artwork.
The Framing
Our framed options
At CFP Prints, we offer a bespoke framing service upon request, crafted to complement the understated elegance of each fine art print. Our signature-style framing employs archival-grade materials to ensure long-term preservation, while enhancing the visual presence of the work in a refined and unobtrusive manner.
This frame style is consistent across all exhibitions and public displays, providing a cohesive presentation that reflects the integrity and curatorial vision of the collection.
As framing is highly personal, it is not included as standard. However, we are pleased to offer tailored solutions that reflect your individual space, aesthetic preferences, and curatorial needs.
For those choosing to frame independently, we strongly recommend working with a professional framer experienced in handling fine art. Unframed prints are fragile and should be handled as little as possible; they must be stored flat, never rolled or placed in tubes, to maintain their condition.
Please do contact us if you would like to explore bespoke framing options—we’re always happy to advise.
The Photographic Process
How film images are processed
The film collection has been captured entirely on traditional photographic film, then hand-developed using darkroom chemistry to achieve the desired contrast, depth, and tonal richness. Each image is the result of a single, unrepeatable exposure—meticulously composed and executed without the use of AI or automated intervention.
Once developed, the negatives or slides are professionally scanned and prepared for print with reference to the original exposure. No digital manipulation is applied beyond subtle refinements to preserve the integrity of the film—ensuring that the final print remains faithful to the moment it was made.
Film, by its very nature, carries imperfections—grain, subtle shifts in tone, the occasional flare or softness at the edges. Unlike digital images, which strive for clinical precision, film embraces the organic unpredictability of chemistry and light. It is imperfectly perfect.
These characteristics are not flaws but part of the medium’s truth—reminders that each frame was made by hand, in real time, through glass and emulsion. The result is an image with soul—alive with texture, nuance, and a quiet sense of presence that cannot be replicated or manufactured.
This is photography at its most elemental. Honest. Tactile. Human.
A bespoke, boutique process, rooted in craftsmanship and authenticity. Each image is created with intention, patience, and a deep respect for the medium.
The Printed Medium
The types of canvas & papers we use
At CFP Prints, every artwork is reproduced with a commitment to archival quality, material integrity, and aesthetic excellence. We print exclusively on carefully selected fine art materials that uphold the visual and tactile standards expected by discerning collectors.
Mediums
Our prints are available on two premium substrates, chosen for their longevity and superb image reproduction:
Canvas
Hahnemühle Cézanne Canvas 430 gsm
This natural white, 100% cotton canvas is acid-free and optimised for both photographic and fine art reproduction. Its finely woven, matt surface provides exceptional elasticity—ideal for stretching over wooden stretcher bars. The result is a richly textured print surface that enhances depth and presence, while preserving subtle tonal nuances.
Paper
Hahnemühle Photo Rag® Baryta 315 gsm
A 100% cotton paper with a natural white tone and no optical brighteners, this paper is prized for its elegant high-gloss finish and remarkable depth of tone. Its barium sulphate coating offers a nod to traditional darkroom baryta prints, producing exquisite detail, velvety blacks, and radiant highlights. Soft to the touch with a refined surface texture, Photo Rag® Baryta is acid- and lignin-free, and meets the highest standards for age resistance and museum-quality presentation.
The Printing Company
The printing company we use
All works are produced in collaboration with a respected professional fine art print studio, known for its expertise in archival pigment printing for galleries, museums, and private collectors. Our longstanding relationship ensures a shared understanding of the aesthetic and technical requirements for each edition.
Test prints and unused reprints are securely destroyed, guaranteeing that no unauthorised duplicates are ever circulated—preserving both the integrity and exclusivity of each edition.