Painted Orange
Price range: $800.00 through $1 300.00
Painted Orange
"Painted Orange, Soebatsfontein, Namaqualand, South Africa" - captures the fleeting, golden hour of Namaqualand’s wildflower bloom—a vibrant display that graces the earth for only a short window each year. In the arid reaches near Soebatsfontein, the land, scorched and silent for most of the year, bursts into a vivid symphony of colour after the winter rains, as if heaven itself poured paint across the veld.
On a late, windswept afternoon, the air thick with the scent of warm earth and pollen, the orange daisies opened to greet the sun. The light danced across their petals—coppery and rich—echoing the biblical opulence of bronze crafted in such abundance for Solomon’s temple that it could not be weighed. As captured in II Chronicles 4:18, this image is both a visual hymn and a celebration of divine abundance found in the most unassuming corners of the earth.
II Chronicles 4:18
And Solomon had all these articles made in such great abundance that the weight of the bronze was not determined.
The challenge of photographing such a moment lies not only in the timing—the flowers only open around 18°C—but in contending with the coastal wind and the direction of the sun. Here, the photographer descends to the ground, meeting these tiny blooms at their level, translating their fragility and endurance into a work of art. Each petal, each delicate stamen, rendered in astonishing macro clarity, draws the viewer into an intimate communion with creation.
This is not just flora—it’s narrative. A moment of stillness in the stormy breeze, where macro lens and patience converge to reveal a living jewel. The fields around Soebatsfontein shimmer in rich hues, shifting as clouds pass and sunbeams pierce through, bathing everything in a molten glow reminiscent of biblical bronze.
The image’s composition evokes a sacred stillness—a balance between nature’s fragility and her flamboyance. In it, the viewer experiences not only a spectacle of natural colour but a metaphor for resilience and hidden glory. Like Solomon’s unmeasured bronze, the abundance of beauty here defies calculation.
Printed on museum-grade archival materials and presented as a signed and embossed Open Edition, Painted Orange brings the mystery and majesty of South Africa’s Northern Cape into your space—a timeless tribute to seasonal splendour and scriptural symbolism.
This is a signed and embossed Open Edition print.
Painted Orange
Painted Orange
"Painted Orange, Soebatsfontein, Namaqualand, South Africa" - captures the fleeting, golden hour of Namaqualand’s wildflower bloom—a vibrant display that graces the earth for only a short window each year. In the arid reaches near Soebatsfontein, the land, scorched and silent for most of the year, bursts into a vivid symphony of colour after the winter rains, as if heaven itself poured paint across the veld.
On a late, windswept afternoon, the air thick with the scent of warm earth and pollen, the orange daisies opened to greet the sun. The light danced across their petals—coppery and rich—echoing the biblical opulence of bronze crafted in such abundance for Solomon’s temple that it could not be weighed. As captured in II Chronicles 4:18, this image is both a visual hymn and a celebration of divine abundance found in the most unassuming corners of the earth.
II Chronicles 4:18
And Solomon had all these articles made in such great abundance that the weight of the bronze was not determined.
The challenge of photographing such a moment lies not only in the timing—the flowers only open around 18°C—but in contending with the coastal wind and the direction of the sun. Here, the photographer descends to the ground, meeting these tiny blooms at their level, translating their fragility and endurance into a work of art. Each petal, each delicate stamen, rendered in astonishing macro clarity, draws the viewer into an intimate communion with creation.
This is not just flora—it’s narrative. A moment of stillness in the stormy breeze, where macro lens and patience converge to reveal a living jewel. The fields around Soebatsfontein shimmer in rich hues, shifting as clouds pass and sunbeams pierce through, bathing everything in a molten glow reminiscent of biblical bronze.
The image’s composition evokes a sacred stillness—a balance between nature’s fragility and her flamboyance. In it, the viewer experiences not only a spectacle of natural colour but a metaphor for resilience and hidden glory. Like Solomon’s unmeasured bronze, the abundance of beauty here defies calculation.
Printed on museum-grade archival materials and presented as a signed and embossed Open Edition, Painted Orange brings the mystery and majesty of South Africa’s Northern Cape into your space—a timeless tribute to seasonal splendour and scriptural symbolism.
This is a signed and embossed Open Edition print.
Price range: $800.00 through $1 300.00
Print Information
The Cameras
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Every photograph begins with the camera it was created on. Whether captured on traditional photographic film or a modern digital camera, every image is produced with the same commitment to craftsmanship and authenticity.
Film negatives and transparencies are personally developed by hand before being professionally scanned and prepared for printing. Digital photographs are captured in RAW format and carefully processed to preserve the original scene rather than alter it.
Large Format
Shen-Hao 4×5
4×10
5×7
8×10
Korona 7×17
Pinhole Cameras
Medium Format
Baby Rolleiflex
Yashica 44
Yashica Mat 124
Pentax 645N
Mamiya 645 1000S
Pentax 6×7
Fuji GX617 Professional
Various panoramic roll-film systems
35mm
Nikon F5
Nikon F6
Digital
Nikon D800E
Nikon D4
Nikon D5
Fujifilm GFX100
The Collections
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Every collection represents years of exploration, patience and careful craftsmanship. Some photographs are captured digitally, while others originate on traditional photographic film.
Film photographs are developed by hand before being scanned using professional equipment. Digital RAW files receive only careful tonal and colour refinement, preserving the integrity of the original photograph.
Collections are available as either Open Editions or Limited Editions, depending on the artwork.
The Triptych Collection Sizes
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Triptych Size Guide
For Triptych Collection artworks, the selected size applies consistently across all three panels.
In compositions where the side panels are portrait and the centre panel is landscape, the selected size refers to the maximum height of the artwork. For example, when A3 is selected, the two portrait side panels are produced to the A3 long dimension, and the centre landscape panel is scaled proportionally to match that same height.
Where all three panels are landscape or all three are portrait, the selected format remains consistent throughout the set — A0 is A0, A1 is A1, A2 is A2 and A3 is A3. Sizes are not mixed between panels.
Available Triptych Collection sizes: A0, A1, A2 and A3.
The Editions
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Limited Editions
Limited Editions are permanently restricted to 25 prints worldwide, regardless of the size or medium selected.
Once the edition has sold out, no additional prints of that artwork will ever be produced.
Signing & Numbering
Every Open and Limited Edition print is individually signed, embossed and accompanied by a Certificate of Authenticity.
Each Limited Edition print is hand-numbered—for example: 10/25
This indicates the tenth print produced from a total edition of twenty-five.
The Photographic Process
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Many CFP Prints artworks begin with traditional photographic film.
Each negative or transparency is developed by hand using carefully selected chemistry before being professionally scanned for printing. Every stage of the workflow is managed with the objective of faithfully reproducing the original photograph rather than digitally transforming it.
Every photograph represents a real moment, captured through experience, patience and light—not artificial intelligence.
The Printed Medium
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CFP Prints is produced exclusively on museum-quality Hahnemühle FineArt media.
Hahnemühle Cézanne Canvas
A 430 gsm, 100% cotton canvas offering exceptional colour depth, fine detail and long-term archival stability. Its natural matte surface makes it ideal for gallery-quality presentation.
Hahnemühle Photo Rag® Matt Baryta
A 308 gsm, a natural white, 100% cotton paper with a traditional barium sulphate coating. This paper offers rich blacks, luminous highlights, and refined surface texture. It is acid- and lignin-free, with certified age resistance.
Certificate of Authenticity
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Every CFP Prints artwork is accompanied by a Certificate of Authenticity (CoA)—a signed and embossed document that formally certifies the originality, provenance, and technical details of the artwork.
Issued with both Limited Edition and Open Edition works, the certificate confirms that the artwork was produced exclusively by CFP Prints using museum-quality archival materials and professional printing standards.
Collectors, galleries, and institutions are encouraged to retain the Certificate of Authenticity with the artwork at all times. It forms an important part of the artwork’s provenance and assists in verifying authenticity for resale, exhibition, insurance, and archival cataloguing.
Caring for Your Print
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Every CFP Prints artwork is produced using museum-quality archival materials designed to provide exceptional longevity when properly cared for.
To help preserve the beauty of your artwork for generations:
- Avoid prolonged exposure to direct sunlight or strong reflected light.
- Dust gently with a soft, dry microfibre cloth or soft artist’s brush. Never use household cleaners, solvents, or abrasive materials.
- Display or store your artwork in a dry, temperature-controlled environment, away from excessive humidity or heat.
- Canvas prints are protected with a professional matte archival varnish and may be gently cleaned with a soft, slightly damp cloth when necessary.
With appropriate care, your CFP Prints artwork will retain its richness, detail, and archival quality for many years.