Honey Gold
Price range: $800.00 through $1 300.00
Honey Gold
“Honey Gold, Namib-Naukluft National Park, Sossusvlei, Namibia” - Beneath the burnished skies of Namibia’s Namib-Naukluft National Park, “Honey Gold” captures the divine paradox of abundance found in surrender. This radiant colour rendition reveals a sunlit dune, washed in molten tones of amber and ochre, illuminated by the descending sun. Golden curves rise and fall like ocean swells made of sand, casting long shadows into the barren vastness. It is a moment both opulent and humble—a vision of quiet majesty.
Acts 3:6
Then Peter said, “Silver and gold I do not have, but what I do have I give you: In the name of Jesus Christ of Nazareth, rise up and walk.
The scene is Sossusvlei, famed for its ancient red dunes, some towering more than 300 meters, sculpted over time by wind and stillness. But here, it is not just landscape—it is scripture made visible. The golden light doesn’t speak of wealth in material terms, but of spiritual inheritance: the kind that lifts, sustains, and gives. Inspired by Acts 3:6, “Honey Gold” contemplates what it means to give freely from what has been deposited in us. Though the apostles had no silver or gold, they offered something far greater—a divine encounter that transformed lives.
This work mirrors that gift. The desert appears desolate, yet it overflows with light. The textures of the dunes, kissed by shadow and sun, form natural abstractions—elegant in their simplicity, profound in their symbolism. Every grain of sand feels intentional. Every highlight an offering. This is not just a scene; it is a testimony: that in Christ, even the seemingly barren becomes fruitful. That we, too, are vessels of value—not because of what we possess, but because of who we carry.
“Honey Gold” is the colour companion to Light and Shadow, its monochrome sibling, and offers a different meditation on the same terrain. Where Light and Shadow speaks in reverent grayscale, Honey Gold bursts into praise, echoing a golden hymn sung through the dunes.
This open edition print is digitally crafted, signed, and embossed for authenticity. Perfect for gallery spaces and interiors with a refined aesthetic, it is ideal for collectors seeking not just beauty, but meaning. A work that stands as both visual and spiritual statement—timeless, elemental, and full of grace.
This is a signed and embossed Open Edition print.
Honey Gold
Honey Gold
“Honey Gold, Namib-Naukluft National Park, Sossusvlei, Namibia” - Beneath the burnished skies of Namibia’s Namib-Naukluft National Park, “Honey Gold” captures the divine paradox of abundance found in surrender. This radiant colour rendition reveals a sunlit dune, washed in molten tones of amber and ochre, illuminated by the descending sun. Golden curves rise and fall like ocean swells made of sand, casting long shadows into the barren vastness. It is a moment both opulent and humble—a vision of quiet majesty.
Acts 3:6
Then Peter said, “Silver and gold I do not have, but what I do have I give you: In the name of Jesus Christ of Nazareth, rise up and walk.
The scene is Sossusvlei, famed for its ancient red dunes, some towering more than 300 meters, sculpted over time by wind and stillness. But here, it is not just landscape—it is scripture made visible. The golden light doesn’t speak of wealth in material terms, but of spiritual inheritance: the kind that lifts, sustains, and gives. Inspired by Acts 3:6, “Honey Gold” contemplates what it means to give freely from what has been deposited in us. Though the apostles had no silver or gold, they offered something far greater—a divine encounter that transformed lives.
This work mirrors that gift. The desert appears desolate, yet it overflows with light. The textures of the dunes, kissed by shadow and sun, form natural abstractions—elegant in their simplicity, profound in their symbolism. Every grain of sand feels intentional. Every highlight an offering. This is not just a scene; it is a testimony: that in Christ, even the seemingly barren becomes fruitful. That we, too, are vessels of value—not because of what we possess, but because of who we carry.
“Honey Gold” is the colour companion to Light and Shadow, its monochrome sibling, and offers a different meditation on the same terrain. Where Light and Shadow speaks in reverent grayscale, Honey Gold bursts into praise, echoing a golden hymn sung through the dunes.
This open edition print is digitally crafted, signed, and embossed for authenticity. Perfect for gallery spaces and interiors with a refined aesthetic, it is ideal for collectors seeking not just beauty, but meaning. A work that stands as both visual and spiritual statement—timeless, elemental, and full of grace.
This is a signed and embossed Open Edition print.
Price range: $800.00 through $1 300.00
Print Information
The Cameras
Your Subtitle Goes Here
Every photograph begins with the camera it was created on. Whether captured on traditional photographic film or a modern digital camera, every image is produced with the same commitment to craftsmanship and authenticity.
Film negatives and transparencies are personally developed by hand before being professionally scanned and prepared for printing. Digital photographs are captured in RAW format and carefully processed to preserve the original scene rather than alter it.
Large Format
Shen-Hao 4×5
4×10
5×7
8×10
Korona 7×17
Pinhole Cameras
Medium Format
Baby Rolleiflex
Yashica 44
Yashica Mat 124
Pentax 645N
Mamiya 645 1000S
Pentax 6×7
Fuji GX617 Professional
Various panoramic roll-film systems
35mm
Nikon F5
Nikon F6
Digital
Nikon D800E
Nikon D4
Nikon D5
Fujifilm GFX100
The Collections
Your Subtitle Goes Here
Every collection represents years of exploration, patience and careful craftsmanship. Some photographs are captured digitally, while others originate on traditional photographic film.
Film photographs are developed by hand before being scanned using professional equipment. Digital RAW files receive only careful tonal and colour refinement, preserving the integrity of the original photograph.
Collections are available as either Open Editions or Limited Editions, depending on the artwork.
The Triptych Collection Sizes
Your Subtitle Goes Here
Triptych Size Guide
For Triptych Collection artworks, the selected size applies consistently across all three panels.
In compositions where the side panels are portrait and the centre panel is landscape, the selected size refers to the maximum height of the artwork. For example, when A3 is selected, the two portrait side panels are produced to the A3 long dimension, and the centre landscape panel is scaled proportionally to match that same height.
Where all three panels are landscape or all three are portrait, the selected format remains consistent throughout the set — A0 is A0, A1 is A1, A2 is A2 and A3 is A3. Sizes are not mixed between panels.
Available Triptych Collection sizes: A0, A1, A2 and A3.
The Editions
Your Subtitle Goes Here
Limited Editions
Limited Editions are permanently restricted to 25 prints worldwide, regardless of the size or medium selected.
Once the edition has sold out, no additional prints of that artwork will ever be produced.
Signing & Numbering
Every Open and Limited Edition print is individually signed, embossed and accompanied by a Certificate of Authenticity.
Each Limited Edition print is hand-numbered—for example: 10/25
This indicates the tenth print produced from a total edition of twenty-five.
The Photographic Process
Your Subtitle Goes Here
Many CFP Prints artworks begin with traditional photographic film.
Each negative or transparency is developed by hand using carefully selected chemistry before being professionally scanned for printing. Every stage of the workflow is managed with the objective of faithfully reproducing the original photograph rather than digitally transforming it.
Every photograph represents a real moment, captured through experience, patience and light—not artificial intelligence.
The Printed Medium
Your Subtitle Goes Here
CFP Prints is produced exclusively on museum-quality Hahnemühle FineArt media.
Hahnemühle Cézanne Canvas
A 430 gsm, 100% cotton canvas offering exceptional colour depth, fine detail and long-term archival stability. Its natural matte surface makes it ideal for gallery-quality presentation.
Hahnemühle Photo Rag® Matt Baryta
A 308 gsm, a natural white, 100% cotton paper with a traditional barium sulphate coating. This paper offers rich blacks, luminous highlights, and refined surface texture. It is acid- and lignin-free, with certified age resistance.
Certificate of Authenticity
Your Subtitle Goes Here
Every CFP Prints artwork is accompanied by a Certificate of Authenticity (CoA)—a signed and embossed document that formally certifies the originality, provenance, and technical details of the artwork.
Issued with both Limited Edition and Open Edition works, the certificate confirms that the artwork was produced exclusively by CFP Prints using museum-quality archival materials and professional printing standards.
Collectors, galleries, and institutions are encouraged to retain the Certificate of Authenticity with the artwork at all times. It forms an important part of the artwork’s provenance and assists in verifying authenticity for resale, exhibition, insurance, and archival cataloguing.
Caring for Your Print
Your Subtitle Goes Here
Every CFP Prints artwork is produced using museum-quality archival materials designed to provide exceptional longevity when properly cared for.
To help preserve the beauty of your artwork for generations:
- Avoid prolonged exposure to direct sunlight or strong reflected light.
- Dust gently with a soft, dry microfibre cloth or soft artist’s brush. Never use household cleaners, solvents, or abrasive materials.
- Display or store your artwork in a dry, temperature-controlled environment, away from excessive humidity or heat.
- Canvas prints are protected with a professional matte archival varnish and may be gently cleaned with a soft, slightly damp cloth when necessary.
With appropriate care, your CFP Prints artwork will retain its richness, detail, and archival quality for many years.